Rap vs. The State
Through rappers such as Bob Vylan and Kneecap, an insurgent rap tells us why the scale of killing in Gaza is not only bound with our own repression but also coincides with a rising fascism at home. Rap entwines these.
Through rappers such as Bob Vylan and Kneecap, an insurgent rap tells us why the scale of killing in Gaza is not only bound with our own repression but also coincides with a rising fascism at home. Rap entwines these.
Periodisation of historical continuity is contentious, but the differentiation is to reinstate the Mandate in the present, as a subject of agency. For the conundrum of the Mandate always lay in how it could be fulfilled, the answer to which lay in a process of revisions..
.. the death in this genocide in Gaza, as it extends through the virtual space of social media networks, returns us to an unconcluded chapter of colonialism in another place: an imaginative geography where both the state of Israel and the enclosure of Gaza exist.
.. our corona purgatory is different to the mediaeval purgatory. If overconsumption or gluttony was once a failing of individual morals, in our society superfluous consumption is necessary to maintain our normal, its margin of profit. Our modern social rituals have ..
Rockit by Herbie Hancock, an unlikely sound track in 1983, arrived as a completely tangential entry into the world of pop…. a calculated use of pop to reconfigure the racialised body in the music industry’s designations.
Familiar as I am with the paradoxes of life in modern industrial housing, that the more humans are packed into concrete compartments the more atomised they become, such spaces are conceived through ideas about modern utopias and socialist dreams.